No space warp, teleport or time machine,
this wooden tunnel into the past remains
as ordered, "a load of hay high and wide,"
though ornaments on the portals show its builder
knew his classics: made them to look like ancient
pilasters and cornice returns; today, inside,
the rows of kingposts are like colonnades
improbably remaining after earthquakes.
No silence is louder: each of its hardwood pegs
tolled for its oak tree as it was malleted in--
among the hundreds, not one loose. They worked
to make the timbers hewn from the heartwood of the best
of the uncut forest grow together again
as one--a magnificent wilderness hollow trunk
fallen across the stream. On moonlit, windswept
nights you can hear the bridge and the trees around
like a pack of the wolves that roamed these hills before
the settlers' drives doomed them, the higher, louder,
throat-voice of the bridge leading the rest.
The spirits of boys, like those chubby angels
of Renaissance paintings, are everywhere: some loll
on the highest roof beams, or swing from one to another;
carve their initials or their names with jack-knives;
fish through cracks in the floor; dive through windows
into the swimming hole below. One older,
more serious, waits with a shovel for winter, to snow
the bridge so sleighs can cross. Another, more serious
yet, is making a wooden model: the day
will come when he stands atop a triple arch
so vast the mockers call it his folly--a wooden
suspension bridge a generation ahead
of its time--and he will walk to the center of
the ridgeline and shout, "If she goes, I go with her!"
They pull away the scaffolding beneath,
it settles--and the bridge, the world's longest
single wooden span, remains to this day,
hardwood married to softwood. The girls were there,
too, initials in hearts on the walls attest.
What other blessed place was sanctified not
by deaths of animals or splinters of bones
of murdered saints, but with the kisses and wishes
of all the secret loves exchanged therein?
This temple of democracy, with its arch
reaching in one direction back to Greece,
leads in the other....beyond. Who imagined
past the iron horse, the horseless wagons,
exceeding the weight of anything those roads
had seen? This much of life beyond the grave
they proved: do what you do the best you know how
and you will do better than you could ever know.
[Recited by poet and author Ed Barna at the opening of the Covered Bridge Museum in Bennington, Vermont on June 14, 2003 - Ed]